Antiquarian font
Antiquarian Scribe
Bonnycastle
Geographica
Geographica Hand Font
Geographica Script
Terra Ignota
Abigail Adams font
American Scribe
American Scribe
Bonhomme Richard
Botanical Scribe
Douglass Pen
Emily Austin font
Geographica Script
Houston Pen
Lamar Pen
Military Scribe
Old Man Eloquent font
Remsen Script
Schooner Script
Texas Hero font
Attic Antique
Bonsai
Broadsheet
Castine
 CREDITS, &C.
The text face used here (as well as elsewhere) is Broadsheet™. The home page letters are set in Emily Austin™ & Lamar Pen™. All typefaces referenced on this website—Abigail Adams™, American Scribe™, Antiquarian™, Antiquarian Scribe™, Attic Antique™, Austin Pen™, Bonhomme Richard™, Bonnycastle™, Bonsai™, Botanical Scribe™, Broadsheet™, Castine™, Douglass Pen™, Emily Austin™, Geographica™, Geographica Hand™, Geographica Script™, Houston Pen™, Lamar Pen™, Military Scribe™, Old Man Eloquent™, Remsen Script™, Schooner Script™, Terra Ignota™ & Texas Hero™ (as well as all other fonts in the Handwritten History™ Bundle)—are the intellectual property of Three Islands Press (copyright ©1994–2024). For site licensing contact:

   Three Islands Press
   P.O. Box 1092
   Rockport ME 04856 USA
   (207) 596-6768
   info@oldfonts.com

 

Write like they used to.
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FREE with any order this month is Castine, a genuine cemetery epitaph font.
Geographica Hand font
Old Map Fonts » Geographica Hand Try the Geographica Hand font   Order the Geographica Hand font 
Geographica Hand Opentype
Geographica Hand™

Modeling antique fonts after historical materials gives you intimate familiarity with those old letters and journals and maps. The maps that inspired our Geographica serif family proved more fruitful than I first expected: they begat a pair of spinoffs of sorts, each replicating a particular 18th-century handwritten style. This is one of these. (Geographica Script is the other.) Geographica Hand mimics the careful hand-lettered serif text on a series of British maps printed in the 1700s by Emanuel Bowen, Thomas Jefferys, and others—several of them representing Colonial America and Canada. The letterforms have long serifs, irregular lines, and an agreeably organic feel. Geographica Hand comes with a series of hand-done map ornaments—churches, windmills, boats, trees, and such.* Best perhaps for display situations, but plenty legible in text blocks, as well. $39 | Order  order the Geographica Hand font

Geographica Hand is included our Old Map Fonts collection.

*OpenType features include true small caps, contextual and discretionary ligatures, lining and old-style figures, cartographic ornaments, and full Latin support—900 glyphs in all.

Try It Out Download Demo View Character Set Source Material
Order the Geographica Hand font online Order the Geographica Hand font online

 To order Geographica Hand, choose a license and “Add” to your shopping basket.

Type of License

Fee

Basket

  Standard Desktop License 💻

Geographica Hand

$39

  Web License 🌐

Geographica Hand

$39

  Full License (Desktop + Web) 💻 🌐

Geographica Hand

$59

💻 Desktop License—a standard license for creating personal/commercial art, documents, and graphics.
🌐 Web License—permitting installation on a server for embedding fonts via CSS in website designs.

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 KIND WORDS:

Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow.”
—A.T., Ontario, Canada

“This is a fantastic resource and the fonts are beautiful!”
—C.B., Bethesda MD

“Thanks so much for the great service and wonderful typefaces!”
—S.F., Evanston IL

“[American Scribe] is the 3rd font I have ordered from this foundry! Love them. Thanks for the good and authentic work!”
—V.B., BC, Canada

“Your fonts are gorgeous, and in particular, your handwriting fonts are the best I've ever seen.”
—J.H., Witny, Oxfordshire, England

“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA

“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England